Push me! :)

 

   


 

  


 

The Author's Tale

Reg Down grew up in Canada, Namibia, South Africa and Ireland. After studying architecture for two years at the Architectural Association in London, England, under Keith Critchlow, he encountered the work of Rudolf Steiner. He attended Emerson College in Sussex, doing the foundation year and first year of his eurythmy training. He completed his training in Nurnberg, Germany, under Margarete Proskauer-Unger. 

The father of three, he has taught in Waldorf schools in Australia, Canada and the United States for many years. He was on the faculty of Rudolf Steiner College, Sacramento, California from 2000 to 2010. In addition to teaching and performing eurythmy he is the author of Leaving Room for the Angels (AWSNA Press 1995 & 2004) a book on eurythmy and artistic pedagogy, and Color and Gesture ~ the Inner Life of Color (Lightly Press 2007; 2nd revised and updated edition 2011)as well as numerous articles on eurythmy, Waldorf education and anthroposophy. His first children's book, The Tales of Tiptoes Lightly, appeared in 2004, followed by eight further children's titles. His latest works are a novel for adults, The Fetching of Spring, (Sept 2011), the second edition of Color and Gesture (Nov 2011), a children's book, Eggs for the Hunting (Feb 2012), Sir Gillygad and the Gruesome Egg, (April 2012) a tale for children aged 9-12, and an edited and annotated version of Padraic Colum's The Boy who Knew what the Birds said (May 2012). 

He lives in Sacramento, California, and is currently pursuing writing, puppetry and storytelling. 

 

The Tales' Tale

The Tales of Tiptoes Lightly, for the most part, arose out of my lessons in kindergarten and the younger grades. The wonderful expressiveness of eurythmy, an art of movement and gesture using speech and music as its basis, lends itself to vivid nature- and spirit-filled stories. The stories were accompanied by live music which wove in and out of the spoken word and living gesture. Eventually they begged to be put down on paper. The first adventure, The Bee who Lost his Buzz, was quickly followed by six others, and soon thereafter one of my colleagues read them throughout the year to her first grade children with great success.

The initial three adventures are found in The Tales of Tiptoes Lightly. Then came The Festival of Stones which centered around the autumn and winter festivals and their accompanying nature moods. The third book, Big-Stamp Two-Toes the Barefoot Giant, takes place in springtime. During the summer of 2006 I wrote and illustrated The Magic Knot, and, after a break from publishing (i.e., swamped by work) I finally had the chance to illustrate The Lost Lagoon, a tale that had been simmering on the stove for a long time. This was followed by the remaining books in fairly quick order by publishing standards.

Although Tiptoes was ‘born’ at the Monadnock Waldorf School in Keene, New Hampshire, the setting is, rather loosely, in Northern California. This is where, following my stint in the East, I taught for five years at the Camellia Waldorf School in Sacramento. When I imagine Tiptoes and her friends they are sitting in the branches of the Great Oak Tree outside my eurythmy room, rowing down the Sacramento River to the Pacific shores, or sailing upstream to the snow-capped Sierra Nevada mountains just visible in the distance. The little children often asked me as I passed by their playground “Where’s Tiptoes today?” Or informed me, with the utmost seriousness, that they had seen her sitting in the flower garden, or that Pine Cone and Pepper Pot had definitely been spotted near the swings. And what wonderful smiles I got when they discovered that Pins and Needles slept in a pin cushion (how else?) and that you could so easily pass them by because they looked just like all the other pins and needles when they were asleep. These characters took on a life of their own and, quite literally, populated the school. I received many, many drawings of Tiptoes and crew, given to me for my birthday, for Christmas, or ‘just because’.

Finally I come to a delicate point, for adults, at least: Tiptoes is real! Without her these stories could not have been written, or even imagined. Hopefully some of her magic has rubbed off on you and your children, and made the world a better place. 

Reg Down